I work with sound as a com­pos­er and audio engi­neer.

Record­ing is a cen­tral part of my cre­ative work. I explore res­o­nance and vibra­tion in var­i­ous embod­i­ments: from the physical‐sensory son­ic mat­ter to the envi­ron­ment in which sound is met, the sit­u­a­tions in which sound and lis­ten­ing reach out, espe­cial­ly as relat­ed to tech­no­log­i­cal record­ing. Explor­ing ways to push nota­tion as anoth­er such tech­nol­o­gy opens up the relat­ed area of how to sit­u­ate per­form­ers in a par­tic­u­lar way while allow­ing them to be open to the specifics of a giv­en event in a giv­en place.

My audio engi­neer­ing work includes tech­ni­cal direc­tion for new and exper­i­men­tal music projects, pro­duc­tion and post‐production for musi­cians, film­mak­ers, and oth­ers who need a wan­der­ing sound per­son to help real­ize their work.