l’homme (d’après Ponge) (2007)


fixed media, for acous­mat­ic sound diffusion

- per­formed at MANTIS-LICA fes­ti­val, Lan­cast­er, UK (2008)
- per­formed at MANTIS South-North fes­ti­val, Man­ches­ter, UK (2007)

une cer­taine vibra­tion de la nature s’ap­pelle l’homme.” — from Notes pre­mières de l’‹‹homme››, Fran­cis Ponge.

Draw­ing on a frag­men­tary text by the French poet Fran­cis Ponge, this work explores the ten­sion between the observed and the lived in rela­tion to the human body.

Ponge sought to describe mate­r­i­al objects with great pre­ci­sion. He ‘gave a voice to things’. Words were care­ful­ly cho­sen accord­ing to their abil­i­ty to res­onate with the thing being exam­ined. It was impor­tant to Ponge that we under­stand our rela­tion to the world and our posi­tion in nature, and this requires that we allow the mate­r­i­al world to speak.

How to approach the human being/body in this per­spec­tive? We have a unique expe­ri­ence of our bod­ies: we ‘live’ them, and yet they are some­what for­eign to us (to para­phrase Ponge, we rarely see our own blood, and if we do, we wor­ry about it!). We observe oth­ers to bet­ter know our­selves. We are things in the mate­r­i­al world yet often over­look this depen­dence and con­nec­tion. This piece opens an ear to our bod­i­ly mat­ter, giv­ing place to that vibra­tion of nature that is human being.